{"product_id":"runic-meaning-in-texas-cattle-brands-plays-of-the-organic-theatre","title":"Runic Meaning In Texas Cattle Brands Plays Of The Organic Theatre","description":"Beginning in written mimes, the most important language for Bob Burleson's plays became SCENE DIRECTIONS. Opened \u0026amp; dynamic form, the VORTEX, followed in THE CLOSE SHAVE, one of those mimes. SPEECH sprang from the physical movement of RABBI AKIBA \u0026amp; flowered in THE MOON PROPHET. The DRAMATIC ESSAY, a fourth growth level, extended the beginning silence, preverbal form, \u0026amp; verbal representation antecedent to it. The dramatic essay names a character after the playwright in his own work to know himself. THE SHOUTING HEAD OF PROPHET JOHN cast him as a child of its characters \u0026amp; changed him to a new man after he conquered its illusion. JAZZ PERFORMANCE IN THREE OR FOUR SETS expelled him so he \u0026amp; the tetralogy-trilogy, appearing in four OR three plays, each could stand independently of the other. Instead of beginning with objectivity, JAZZ PERFORMANCE established a way to make objectivity the theme of its own growth. The fifth level of the ORGANIC THEATRE inductively \u0026amp; developmentally expressed the dialogue \u0026amp; internal movement of all plays in the MISE-EN-SCENE. Plays \u0026amp; esthetic theory made one PRAXIS. Please order from Worksworth, Box 8382, Berkeley, CA 94707. Phone: 510-528-1346; FAX: 510-548-0313.","brand":"Bob Burleson","offers":[{"title":"Very good","offer_id":44273705287779,"sku":"17298335-very-good","price":4.0,"currency_code":"KWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0676\/0320\/2147\/files\/9780913699881-L.jpg?v=1782095622","url":"https:\/\/qasralthaqafa.com\/products\/runic-meaning-in-texas-cattle-brands-plays-of-the-organic-theatre","provider":"Qasr Al-Thaqafa","version":"1.0","type":"link"}